Hi everyone! Today’s topic is split between high and low time commitments. First, the quick one:
Naming Kara Thrace: It doesn’t seem fair that only half of our piloty pair is currently in possession of a middle name. Today, please contribute your suggestions for a middle name that would fit Kara. You can pick a name with symbolic significance, of course, but also feel free to suggest a name just because you find it pretty. I will take all of your suggestions and create a poll (or a few polls if we have too many names to cover in just one) and tomorrow we can vote on them. By the end of the week, Kara will have an official, democratically selected fanon full name.
I will go ahead and propose the obvious choice so that you all can feel free to discuss it and to explore other alternatives in your comments: Artemis. I have a feeling this might be a favorite, both because of the symbolism and the Apollo connection, and because it makes her initials KAT, which is just fun. However, the downside is that it fits her almost too well – it smacks of destiny and/or cosmic irony. It reminds me of a wonderful Harry Potter fanfic in which someone explained that the werewolf who sought out a kid named ‘Remus Lupin’ to bite must have had a really sick sense of humor.
And now here’s a question for those of you who have time for a bit of character speculation:
One of the great strengths of Battlestar Galactica was its commitment to complicated, three-dimensional characters and relationships. In that spirit, let’s revisit our pilots’ troubled parent-child conflicts from a different angle. What were the bright spots in Kara’s life with her mother, what were the moments of connection Lee shared with his Mom and his Dad before the end of the worlds – what were the best parts of their worst relationships when they were growing up? What strengths do you imagine they might have drawn from these troubled and at times abusive people? In what ways might they have found some measure of happiness with them? Please don’t misunderstand, I’m not asking anyone to condone abuse in any way or to whitewash bad parenting, but if BSG was consistent about anything it was in insisting that there are always shades of grey. I can’t believe it was all bad, not even for Kara and Socrata. What do you think?
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Date: 2010-07-08 07:22 am (UTC)I always wonder why her mother was so certain about Kara's destiny - it opens up all sorts of possibilities (especially if you like to think, as I do, that Dreilide Thrace = Daniel. I gather this was disproved in a podcast at some point, but I still think it's a pretty persuasive idea). Or was she just a very driven person who did not like her own failures so pressured Kara into achieving everything?
And that's not really what you were asking, so...well, I think one obvious strength that Kara drew from her mother is simply strength. She'll take anything and throw it back at you twofold.
no subject
Date: 2010-07-08 07:58 am (UTC)I think Kara and her mother would have spent at least some good times together/had some sort of connection. Otherwise Kara would have run away far sooner. Perhaps they had some spiritual moments together. Or perhaps there were some moments when Socrata was really proud of Kara's achievements (when she hadn't been drinking of course).
no subject
Date: 2010-07-08 11:34 am (UTC)no subject
Date: 2010-07-08 07:40 pm (UTC)I think the 'Daniel' explanation could be a rich one to explore; how much would he have known, and how much would he have told his wife?
On the other hand, I think it's possible that Socrata might have been visited by Head!Angels the same way Kara later was visited by her mystic!father-image. I think the forces at work behind the human-Cylon road to Earth were working behind the scenes for a long time, and I can see Socrata being both terrified by and utterly confident in any visions she might have ~ she would flat out refuse to believe that she was crazy, and therefore she would treat any Angel's messages with pragmatic, overzealous certainty. I can see her squirreling away everything her daughter ever touched, watching those maelstroms appear in margins and canvases over and over, seeing them in her own dreams. I think it's interesting that art is the one non-military, non-tough, essentially useless past-time that she seemed to encourage Kara to pursue. Maybe she'd been taught to read the meaning behind those paintings.
I'm always struck by the Oracle's prophecy in Maelstrom: "You learned the wrong lesson from your mother, Kara. You mistook the messenger for the message. You mother was trying to teach you something else."